The Soviet Union had a Trick They’d Pull…

So, in the old Soviet Union, under Communism, there was a trick that the ideologues and commissars would pull.

It was called “disavowal.”

In essence, what the Politburo would do is they would bring up a former Soviet official, who had once been a Communist in good standing, and would make that person recant — or disavow — previous political, social, or cultural positions they had espoused when the regime was operating a certain way under a previous iteration of Communism.

Even the “Greatest Living American” needs a little help sometimes. Even George Washington had an army behind him.

What does this walk back into the Cold War have to do with anything in 2019?

First, the Soviets on Twitter came for Dave Chappelle.

Then they came for Bill Burr.

They didn’t have much success with disavowal with those guys, but now, now they’re after the biggest scalp they could ever claim.

Eddie Murphy the other day, on Page Six (as quoted from a recent New York Times interview), disavowed part of his comedic past:

Murphy, 58, admitted in the profile promoting his upcoming Netflix film, Dolemite is My Name, that material from his 1987 stand-up special, Raw, makes him cringe in 2019.

Yeah. I’m sure women in 1887, 1987, and even 2007 wouldn’t like this one:

 …Say it Ain’t So, Eddie!

Disavowal is a practice to keep people in line is interesting because, in essence, it gets the denier to admit to three things at once:

  1. That they “lied” in their ideology in the past,
  2. That the current thinking, speaking or communicating is “right,”
  3. That the current people in power deserve whatever power they think they wield.

All three are bad and wrong because they are actually all ego-driven, ideological lies.

The fat suit won’t be enough to let you hide, Murphy. They’re coming for you.

We have been excited — and apprehensive — about Murphy’s return, both to stand-up on Netflix (who paid him $60 million dollars for an undisclosed number of specials) and to film (Dolemite is My Name, Coming to America 2).

We were worried that the man who used to do this kind of comedy without fear:

Might be forced into doing “something” else:

“I was a young guy processing a broken heart, you know, kind of an a–hole,” Murphy admitted of his controversial jokes. Today, Murphy confesses that “Raw” is “a bit much, my goodness.” His early stand-up often delved into racial, gender and homosexual stereotypes, including jokes about the AIDS epidemic. He now recognizes those jokes as “ignorant,” in addition to originally apologizing to the masses in 1996.

This is a problem.

Maybe You Should’ve Stayed Away, Eddie…

As some of our more culturally trenchant Talkbackers have noted, Murphy is like an old athlete coming back to a game that has moved past him.

Yeah. This is who has taken over the game, Eddie. A guy who can’t even close the deal with a woman, and then gets blown up on Twitter

Comedy has devolved since Murphy left the stand-up scene from a place where jokes could be seen as social commentary, but not given much weight, to a place where unless you’re the “right” pronoun, telling the “right” jokes, in the “right” order, skewering the “right” people you get hounded from the scene.

No longer is comedy about this:

Instead, it’s now about the life and death struggle between one ideology and another.

Pronouns win Emmys, talent gets flushed, and the only way you can tell what’s happening is if you’re awake.

We Don’t Need More Mealy-Mouth “Comedy”

Eddie — may we call you Eddie? — we liked your old stuff and we need more of that in 2019.

The comedy and culture you’re reentering has become less funny and more sensitive.

Less well balanced and more ideological.

Less mature and thick-skinned, and more sensitive and thinner skinned.

“The only thing you can tell for sure about a broken-down old man is that he’s a survivor.” James Caan, The Way of the Gun

We need older, established, veteran comedians to throw caution and sensitivity to the wind and actually live up to their legacies, rather than tarnishing them through trying to appeal to present-day audiences who are fickle, untrustworthy, and who arrogantly believe that they are in charge of the material and the talent, not the other way around.

If this current “apology tour” for past jokes and material is a public relations/marketing ploy, fine, Eddie.

We’re sophisticated.

We get it.

After all, if you fake them out and then pull the truth out of your new material, you will cement your legacy beyond all doubt as to your status as the Greatest Living American.

We’re watching out for you over here.