Somebody Knows Why… Somebody Knows
First, this column has been incorrect when predicting the box office for gender-swapped franchises and all-female team-ups before, but only the once.
Ocean’s 8 made $298 million on a budget of $70 million and by even a Hollywood accountant’s estimate that is a success.
In the current pop-therapy parlance of the day, we will “own that shit.”
Is Our Column Learning?
Yes: don’t underestimate the power of elegant, sexy and beautiful movie stars teaming up to do something naughty and dangerous on the big screen.
It doesn’t matter who the director is, it doesn’t matter what the franchise is, if you put 40-something actresses with high Q-ratings in a fun movie, 40-something women are going to make a Ladies Night of it.
To this end, we refrained from
denigrating downgrading Hustlers.
But we will bury Birds Of Prey, even as the shills praise it.
Birds of Pray, Right?
First, let’s look at the positives:
- Current tracking has the movie opening to $50 million this weekend with a total cumulative run of around $125 million.
- The current Rotten Tomatoes score is sitting around 86%.
- Last night’s previews were between $4 million and $5 million which puts Birds Of Prey well under Shazam‘s $6 million in previews but it’s still a solid number.
All of this seems great but let’s remember with a budget close to one hundred million dollars Birds Of Prey needs around $300M box office to break even.
If the movie hits the target of $125 million from the domestic box office, can it make $175 million from international markets?
Follow The Money
This is the power of math, people, so pay attention.
Female-Led Action Movies Don’t Double Up Overseas
Wonder Woman didn’t even top its domestic box office overseas ($412M vs $409M).
Captain Marvel, which had the goodwill of the MCU behind it, and was built on the lie of being important to Avengers: Endgame (shame on you, Kevin), failed to double its domestic take.
These could hardly be described as feminist movies, despite what nasty women would have their readers believe:
Feminist Action Movies Are Dying, Fraulien
The sheer number of feminist film bodies hitting the box office floor in the past year is a beautiful thing to behold:
Now, these are not merely female-led movies, these are explicitly feminist action movies that were conceived, made and marketed to push a clear agenda.
As humans reject the products of feminism, audiences reject the agenda when it appears to be driving their movies.
China Is Closed
The Wuhan bio-weapon disaster has shut down all theaters in China.
China box office made up 22% of Wonder Woman‘s international box office and 14% of Captain Marvel.
She’s Not Wonderful
Harley Quinn, the lead character in Birds Of Prey, is an unlikable psycho who only appeals to the “Yes, all men!” crowd.
Wonder Woman, on the other hand, has cross-gender appeal because her character is a paragon of virtue that men would want to bring home to mom.
Plus Gal Gadot is divinely gorgeous, fun and playful.
HQ is Not Fun. Or Funny.
The Harley Quinn of Suicide Squad and Birds Of Prey is not the female Deadpool.
Deadpool is self-deprecating, with a heart in the right place; a madcap crusader who landed 90% of the jokes in his movies.
This Harley Quinn is an unstable wreck, not a competent quipster.
Neither Is Anywoman Else
Harley Quinn and the other ladies in BOP are not attractive, independent older women playing out the female buddy-movie fantasy. They are violent, bitter, broken women who are angry at the men in their lives.
It’s Not Sexy, It’s Not Beautiful
The only movie star in this movie is buried under makeup and clown clothing.
Word Of Mouth Won’t Save It
If you look into the Rotten Tomatoes numbers a little, you see that while it’s got a high Tomatometer, the overall score is a 6.8 out of 10. The Top Critics rating is 74% with an overall score of 6.47, with only 35 reviews from top critics counted so far.
This is very similar to what you saw with Captain Marvel: a very good frontloaded Tomatometer with a pretty lackluster overall score.
Just like Captain Marvel, some critics are propping it up because of messaging.
So people are expecting a decent movie.
This leaves very little room for the kind of anti-critic backlash and word of mouth curiosity that has driven the box office for movies like Suicide Squad and Transformers.
Essentially, what you see is what you get with the Birds box office, it will make 50% of opening the second weekend, 25% of opening the third weekend, etc, etc, etc.
Yes, that’s right. The Alicia Silverstone house-horror piece that was delayed from November of 2019 is going to take a big bite out of this birdie’s ass stateside, especially when it goes wide.
Is This The End Of Feminist Action Movies?
Birds Of Prey will not flop.
But it won’t be a hit either. It will either fail to break even or barely break even.
Warner Bros might even spin up the requisite unnecessary, face-saving sequel but for all intents and purposes, it is over.
There have been too many failures in a row without a hit or even genuine success.
And The Joker just made $1 billion dollars.
Hollywood will change and it will change fast.
A lot of media parrots and lapdogs claim that Hollywood can’t react quickly because of the length of the production cycle.
They are wrong.
Feminist action movies are going to be canceled, moved to TV or never greenlit for us to even hear about in the first place.
Expect beauty to be celebrated once again. Expect booty shorts. Expect leather suits.
It’s Over, Boyos
We’ve won. Clean your gear. Get some rest.
Soon we’re going after the biggest feminist game of all.